Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson.
Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in.
Artificial Hells: Participatory Art and the Politics of Spectatorship pdf free download
download Artificial Hells: Participatory Art and the Politics of Spectatorship pdf free
Artificial Hells: Participatory Art and the Politics of Spectatorship book
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.